ANNOTATED BIBLIOGRAPHY RHUL

Affiliations I am a full member of Equity. They are assessed on solo performances and group pieces. My aerial courses run in Whitstable and Faversham in Kent. Working closely with Artistic Directors Jenny Sealey and Bradley Hemmings and Aerial Consultant Phil Hayes I ran the daily aerial rehearsals, devising sequences that were then incorporated into the ceremony. I have also been a visiting artist for specialist training in Applied Theatre and the final year students. I was invited to run the Repertoire Module in and return again in , offering the students a taste of aerial dance for the first time in the degree’s history. The role involves running a symposium; compiling an annotated bibliography; managing promotion and website for the project; conducting interviews and observations of academics and artists utilising participatory research and learning in their work.

My aerial courses run in Whitstable and Faversham in Kent. Ms Katrina Carter Former. University of Kent at Canterbury: I was invited to run the Repertoire Module in and return again in , offering the students a taste of aerial dance for the first time in the degree’s history. Drama, Theatre and Dance home.

E15 Acting School, Southend Campus: A very proud time for sure.

annotated bibliography rhul

University of Kent at Canterbury: It is a short term contract. Department of Drama, Theatre and Dance.

  CCPDS-R CASE STUDY

Ms Katrina Carter – Research – Royal Holloway, University of London

Find an expert Search for researchers: Increasing numbers of annotatde artists are however, now engaging with aerial. PhD Thesis Suspending Conventions: As a professional aerialist working extensively with disabled performers, the research draws on my practice and direct correspondence with other disabled and non-disabled practitioners.

Historical and cultural perspectives of aerial are drawn from the few academic experts in the field, notably Paul Bouissac, Steve Gossard and Peta Tait; disability perspectives are guided by a wealth of theorists including Erving Bibliographg, P.

Ms Katrina Carter Former. Aerial Choreographer for Paralympic Opening Ceremony: I have also been a visiting artist for specialist training in Applied Theatre and the final year students.

It features two case studies in which I was aerial choreographer and trainer: It is frequently but not exclusively bibliograpuy with the circus and throughout its history has been dominated by non-disabled performers. They are assessed on solo performances and group pieces.

annotated bibliography rhul

The role involves running a symposium; compiling an annotated bibliography; managing promotion and website for the project; conducting interviews and observations of academics and artists utilising participatory research and learning in their work. I was fortunate enough to be offered a fantastic role as part of the POC for London Drama, Theatre and Dance home. My aerial courses run in Whitstable and Faversham in Kent.

  KMUTT TEMPLATE THESIS

I was invited to run the Repertoire Module in and return again inoffering the students a taste of aerial dance for the first time in the degree’s history. Abstract Aerial ism is the art of suspended movement, generated by aerialists working with equipment such as trapezes, ropes and harnesses.

Affiliations I am a full member of Equity. I had a fabulous spring and summer of starting off as one of four full-time trainers working with the ‘disabled aerialists’ who would perform in the POC Canterbury Christ Church University: Working closely with Artistic Directors Jenny Sealey and Bradley Hemmings and Aerial Consultant Phil Hayes I ran the daily aerial rehearsals, devising sequences that were then incorporated into the ceremony. I have been teaching aerial on the Physical Theatre BA since it began in